FILMS.

WORLDS.

MOMENTS.

Documentary, brand and live work, shaped for screen, culture and stage.

STORIES MOVE DIFFERENTLY NOW.

We work in images, rhythm and atmosphere. We find the idea that unlocks the story, then build it for screen, culture and stage. We’re restless until the work really lands. That’s the point.

The work changes shape across documentary features and series, films for brands, live events and broadcast. The instinct is the same: to move, surprise, intrigue or stay with you.

  • Feature documentaries and series for major broadcasters, streamers and platforms. This is where the work gets closest to people.

    The way in? A perspective. A pattern. A voice. A contradiction. Sometimes a form. We look for the thing that opens the film without forcing it.

    In WHAM! 10 Days in China, it’s the untold Chinese perspective on a groundbreaking tour. In Nick Cave’s Veiled World, a new thesis on creative process, traced through the archetypes Cave has carried for four decades. The Pilgrimage of Gilbert & George tests a lifetime of guiding principles against a lifetime of work. Chasing Glory: The Road to Paris 2024 brings Red Bull-native action sports into the Olympic frame, for a global Discovery Sports audience new to those worlds.

  • Ideas with work to do. Strategy, image and emotion shaped into films, campaigns and brand worlds.

    WE LIKE COLLABORATION. WE LIKE ROOMS. Clients, artists, producers, editors, designers, strategists, makers. The work gets sharper when the right people get together.

    We’ve worked with Red Bull, LEGO, Mercedes F1 and G42 on projects where the idea had to move: through culture, audiences, teams and the world. From films with Lewis Hamilton and Kimi Antonelli to work shaped by play, performance, technology and cultural charge, our wider brand-film experience spans Apple, Pepsi Max, Monster Energy, Xbox, PlayStation, Samsung and landmark Red Bull campaigns.

  • Live events are where story happens with no second take: rhythm, reveal, scale, pressure, audience, atmosphere.

    Supercollider brings together deep experience across event production and live broadcast, from concerts, ceremonies and public spectacle to high-stakes brand moments, including G42’s Supercharged, London 2012 Ceremonies, F1 Live London, New Order, Pet Shop Boys, Walt Disney, UAE National Day and global brand stages.

PEOPLE

Supercollider was founded in 2021 by Mike Christie, its Creative Director, to build on a body of work across screen, culture and stage.

He has made substantial work for Channel 4, BBC, Sky, Discovery, Showtime, Amazon Prime, History Channel and ARTE, with brand clients including Red Bull, LEGO, Pepsi, Monster Energy, Apple Marcom, Mercedes F1 and G42. His live work spans London 2012 Ceremonies, Sochi 2014, New Order concerts, UAE 48th National Day and G42’s Supercharged.

Supercollider is a production company shaped by film craft, brand thinking and live experience. Close collaborators include Creative Executive Producer Justine Catterall, with deep experience across global events, ceremonies, concerts, corporate theatre and broadcast, and Brand Film Producer Louis Figgis, whose brand work spans technology, gaming, entertainment, sport and global consumer brands.

Recognition across Supercollider and its founding body of work includes Emmy, BAFTA, RTS, Rose d’Or, Grierson, FOCAL and New York Festivals TV & Film Awards.

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Supercollider is part of Zinc Media Group, headquartered in London, with offices across the UK with established operations in the GCC.